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Critic's Notebook: What Norman Lloyd Can Teach Us About the Coronavirus Crisis
The other day I spoke with my great old friend Norman Lloyd, and I do mean great and I do mean old. As an actor, Norman’s credentials stretch back to the Federal Theater days of the mid-1930s — he’s the last surviving member of Orson Welles’ legendary 1937 Mercury Theater production of Julius Caesar — and he made his Hollywood debut as the villain who falls to his death from the top of the Statue of Liberty in Alfred Hitchcock’s 1942 Saboteur.